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Clairsentience
Mythili.
Nineteen. India.

(Source: zathuracs, via zacheh)

absolutelymadness: via

absolutelymadness:

via

nevver: Never

nevver:

Never

10knotes: Follow this blog, you will love it on your dashboard

10knotes:

Follow this blog, you will love it on your dashboard

(Source: moosekleenex)

(Source: negativepleasure)

(Source: babeimgonnaleaveu, via glimpsesofthedarkness)

venebelle: happiness is spring (by its only love)

venebelle:

happiness is spring (by its only love)

(via lajoiedespetiteschoses)

setbabiesonfire: Lucy in the Sky with Diamonds

setbabiesonfire:

Lucy in the Sky with Diamonds

nevver: The only resemblance to the book is they’re both in 3D

nevver:

The only resemblance to the book is they’re both in 3D

(via nevver)

nevver: le Bat

nevver:

le Bat

nevver: More

nevver:

More

It’s always a part of my purpose as a storyteller to first create characters that the reader will be anxious for. You can’t be anxious for a character if you don’t care about the character, if you don’t in some way like, respect, or even love the character, or at least have affection for the character. And then, once I’ve established those characters, in whom the reader I hope has some emotional investment, then it’s perversely my job to make as many terrible things happen to those people we like as I can imagine.
John Irving (via wordpainting)

(via lajoiedespetiteschoses)

wonderfulambiguity: Léon Gimpel, L’armée de la rue Greneta, Paris, 1915 Thanks to m3zzaluna

wonderfulambiguity:

Léon Gimpel, L’armée de la rue Greneta, Paris, 1915

Thanks to m3zzaluna

(Source: -nsanity, via nodularity)